I am interested on the creation as an intersection between “the idea” and its realisation and composition in the space-time. Why does the body need moments of nothing, subtlety and excess? Why does the piece need the emptiness, the smallness and the excess. What new visions of space can be proposed? How can I break with my body what is unbreakable? Starting from the body I search the language of its own materiality. A language sometimes intimate, others functional, and primitive. I confess that in my work I also have a "disrespectful" ¿? relationship with the music, with the sound. I conceive the dance pieces as a soundtrack of bodies space, tyming,instruments. This web side is going to fill up bit by bit , now is foccus in Amorfo, but soon will be more material.

Florencia Martinelli 1970 Montevideo Uruguay. Has joined the group “Contradanza” and recently the Company Trust me. Has worked in pieces directed by creators as Ayara Hernandez and Felix Marchand, Luciana Achugar, Silvio Lang, Thomas Lehmen, Alexis Eupierre, Marcelo Evelín, Florencia Varela, Carolina Besuievsky, Ana Eulate. Creates the pieces: el faro / luz que vuelve “the lighthouse/light that comes back” la conquista / “the conquest” egocéntrica / “egocentric” Bajo el Mediodía / “Under the midday” In co-creation: “Trust me” Una Semana / “One week”. Recently presented “Amorfo”, a project of creation in various formats that receives the support of “Iberescena” Presents her work in several festivals in Argentina, Chile and Brasil. During many years produces “flower power” a dance, music and theatre improvisation event in Montevideo. Is a teacher, profession that holds in different formats, not only in Uruguay but also in this region. She has studied with different teachers in Montevideo and abroad, and also attends to the Rubin Academy in Jerusalem, Peron 2 in Amsterdam, and Movement Research in New York.